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// Updated September 2026

Our selection charter for sustainable fashion brands

We're not looking for perfect clothes.

Just as well: they don't exist. Sustainable fashion is full of nuance, and our job is to look at it garment by garment, then explain to you what we found.

A material can be a good idea in a coat and a bad one in a T-shirt. A certification can vouch for how the cotton was grown and say nothing about the workshop. A country printed on a label tells you about only one stage in five.

This page explains how we read all of that: the method, the standards we set for brands, the materials we stock, the compromises we keep, and where we say no.

We could tell you there's a perfect material. It would be convenient. And untrue.

// In 30 seconds

  1. We select clothes against demanding environmental and social criteria.

  2. We don't believe in miracle materials or perfect solutions.

  3. We look at the details, and we stand by the compromises we keep.

  4. We want clothes that are better made, and genuinely worn for a long time.

// Chapter 01

How we choose

Before a garment joins the selection, we read its composition, ask where each manufacturing stage takes place, look at its certifications, and try to find out whether it will last three years. Four principles come up every time.

We look at the whole garment, not just its main fibre +

A composition isn't enough. We ask where the material comes from, how it was processed, using which methods, in which workshop, and what the brand can prove. An organic cotton T-shirt made in a factory nobody knows the name of doesn't make it in, even with the right certificate.

What we look at: material · origin · processing · techniques · location · social conditions · certifications · transparency.

We ask about what isn't written on the label +

Brands rarely answer the first time. We ask again, request documents and compare with what we know of the industry. When an answer stays vague on an important point, we take that as an answer: the piece doesn't get in.

A brand that can't name its workshops has probably never visited them.

We take into account how the garment is really worn +

The same trade-off doesn't lead to the same result for a T-shirt worn next to the skin, a rain jacket and a pair of jeans. Two per cent elastane in trousers you'll wear twice a week for five years is not the same issue as in a basic T-shirt.

We think garment by garment and use by use, not with a list of approved materials.

We're willing to say what bothers us +

Every product page states its reservations when there are any. It takes longer to write than a green logo, and it's the only thing that lets you decide for yourself.

If we can't explain a choice, it shouldn't be in the selection.

What matters isn't building a selection that looks perfect from a distance. It's being able to explain why every choice is there.

// Chapter 02 · Lyon, 2018

Our story

WeDressFair was founded in Lyon in 2018 by Marie and Antoine. Simply by trying to choose their clothes better, they realised how hard it was to understand what really lay behind brands' claims: organic cotton, made in Europe, recycled materials, certifications.

So they searched. Compared. Asked brands questions, then asked the same ones again when the answers stayed vague.

We just wanted to dress better. We ended up making a career of it.

WeDressFair is that work made accessible: a selection we know inside out, and a charter written down in black and white rather than summed up in a logo. The rest of our commitments, including our articles of association and governance, are described in the WeDressFair project.

Marie and Antoine, co-founders of WeDressFair, in Lyon
Marie and Antoine, co-founders
  1. 2018

    Marie and Antoine found WeDressFair in Lyon, after months spent poring over product pages.

  2. 2019

    First written version of the selection criteria.

  3. 2022

    Complete revision of the materials grid: the synthetic fibre thresholds shift.

  4. 2026

    The charter you're reading. The next version will probably say something different.

// Chapter 03

Materials

Not a catalogue. Six real cases that show how we think. Turn a card over to see the other side.

Organic cotton

What we love

Grown without synthetic pesticides or chemical fertilisers, unlike conventional farming. The soil and the people working in the fields benefit.

Turn the card over →

Certified wool

What we love

It keeps you warm without bulk, needs little washing, absorbs odours and ages well. A fibre made to last for years.

Turn the card over →

TENCEL™

What we love

A viscose produced in a closed loop: the solvents are recovered and reused, and the wood is traceable.

Turn the card over →

Viscose

What we love

Few materials offer this drape and softness, at this price, with this breathability.

Turn the card over →

Recycled polyester

What we love

We reuse a material that already exists rather than starting again from new oil.

Turn the card over →

2% elastane

What we love

It can make trousers much more comfortable, so they get worn much more. That's no small detail.

Turn the card over →

Each material has its own fact sheet: Organic cotton, Certified wool, TENCEL™, Viscose, Recycled polyester, 2% elastane.

Same method for the others: polyamide, linen, merino wool, recycled cotton. The material-by-material details are published in our materials guide.

There are good and bad materials, yes. But above all, there are materials used well or badly.

// Chapter 04

Where clothes are made

A garment isn't made in just one country. There are at least five stages, often spread across two or three continents. ‘Made in France’ or ‘made in Europe’ almost always refers only to the last one.

  1. 01 Raw material Where is the fibre grown or produced, and in what conditions? Not on the label
  2. 02 Spinning Who spins the fibre, often thousands of kilometres from everything else? Not on the label
  3. 03 Weaving and knitting Which workshop turns the yarn into fabric? Not on the label
  4. 04 Dyeing Which dyes, and how is the water treated? Not on the label
  5. 05 Garment making Final assembly: the only stage the label tells you about. On the label

A country printed on a label rarely tells the whole story.

// Chapter 05

Manufacturing processes

Between the fibre and the garment come dyeing, washing, printing and finishing. That's often where most of a garment's pollution happens, and it's almost never what a brand puts forward.

  • We ask which dyes are used and how the wastewater is treated. An on-site treatment plant makes all the difference.
  • Sandblasting and chlorine washes are deal-breakers. Mechanical and laser techniques can do the same job.
  • For finishes, we look at water-repellent treatments: no PFAS, even when it's technically easier.

Organic cotton dyed carelessly is still a carelessly dyed garment.

// Chapter 06

Social conditions

Wages, working hours, building safety, freedom to organise. We ask where the workshops are, who has visited them and what the audits found, including anything negative.

  • We favour brands that name their workshops and let us mention them. Transparency is the first indicator.
  • Fair Wear, SA8000 or a detailed audit give us a starting point, but we read the reports rather than the logo.
  • A retail price that's too low is a warning sign: someone, somewhere, isn't being paid fairly.

A European workshop isn't automatically a good one. A distant workshop isn't automatically a bad one.

// Chapter 07

Labels help us. They don't do our thinking for us.

A certification guarantees a specific scope, never the whole garment. The bar shows what each label covers along the supply chain, and what we still have to check ourselves.

  • GOTS

    Organic cotton

    Growing and processing of the organic fibre, with chemical and social criteria across the certified chain.

    46 % covered · Garment making not covered

  • GRS

    Recycled materials

    Recycled content and material traceability, plus a few social and chemical requirements.

    40 % covered · Nothing on how long the garment lasts

  • RWS

    Wool

    Sheep welfare and pasture management, up to shearing.

    32 % covered · Stops before spinning

  • RMS

    Mohair

    Same principle as the RWS, applied to angora goat farms.

    30 % covered · Stops before spinning

  • Fair Wear

    Working conditions

    Monitors the brand's purchasing practices and the conditions in its garment workshops.

    56 % covered · Nothing on materials

  • OEKO-TEX

    Harmful substances

    No harmful substances in the finished product, tested in a laboratory.

    24 % covered · Neither environmental nor social

The proportions are indicative: they show the scope of a label, not its quality. Full details on each are published in our label guide.

// Chapter 08

So yes, our selection involves trade-offs.

This isn't a confession, it's our job: deciding how far a compromise remains acceptable, and being able to explain why. Here are the four you'll find in our selection.

01 · Elastane

Some trousers and jeans contain two to three per cent elastane.

Acceptable when comfort determines whether it actually gets worn. Refused in a piece that doesn't need it.

02 · Synthetic fibres

A few pieces contain a small amount of polyamide or polyester, usually recycled.

Acceptable for the durability of a jacket or a lining. Not in a knitted basic.

03 · Distances

Some pieces are made in Europe, others much further away.

Acceptable when the expertise is there and conditions are verified. Never to save three euros.

04 · Traceability

Not all brands have the same level of traceability across the whole chain.

Acceptable if they know where their blind spots are and are working on them.

// Where we say no

  • A brand that can't name its garment workshops.
  • A hazardous chemical treatment that another process can replace.
  • A price that can't fairly pay the people who made it.

// Chapter 09

The most responsible choice is still a garment you want to wear for a long time.

A T-shirt that's flawless on paper but badly cut ends up at the back of a drawer. That's why we also look at very down-to-earth things: does it hang well, is it pleasant to wear, will it hold up after thirty washes, can it be repaired.

// What we look at on top of the criteria

  • Fit
  • Comfort
  • Build quality
  • Easy to wear
  • Stands the test of time
  • Repairable
  • Not out of fashion in six months

// Chapter 10

Our charter isn't carved in organic cotton.

Knowledge evolves. Supply chains evolve. Materials evolve. Certifications evolve. So do we. What we write here will be reread, corrected and sometimes contradicted by the next version.

// What has changed

  • 2022 Lowered the threshold of synthetic fibres accepted in knitwear pieces.
  • 2024 Added a traceability requirement for the dyeing stage, long our blind spot.
  • 2025 Two brands left the selection because they gave no answers about their workshops.

// What we're looking into

  • Chemical recycling of blended fibres: promising and still very new.
  • So-called regenerative cotton, whose promises vary enormously from one project to the next.
  • Repair: how far we can organise it ourselves rather than just talk about it.

// On video

We check what's behind it. You choose what you'll actually wear.

The list of brands is public, and each one states what it makes, where, and with what proof. Without proof, a brand stays out of the catalogue.

Charter updated in September 2026